Friday, September 25, 2015

9/28/15 - 10/2/15


09/28/15

Happy Monday!!!


Do Now: 
1. What is your favorite television show? Do you have a favorite episode that you can remember of this television show? 
2. Why do you like this show so much? 
3. If you don't watch television,  do you have a favorite movie? Describe your favorite scene in this movie. 


Today, we're going to talk about EPISODIC STORY STRUCTURE. This will prepare us for our first large writing assignment. 



The word narrate comes from the Latin gnoscere, to know. A narration lets us know something.  It tells us what happened.  It tells us a story.

A narrative is some kind of retelling, often in words (though it is possible to mime a story), of something that happened (a story). The narrative is not the story itself but rather the telling of the story -- which is why it is so often used in phrases such as "written narrative," "oral narrative," etc. While a story just is a sequence of events, a narrative recounts those events, perhaps leaving some occurrences out because they are from some perspective insignificant, and perhaps emphasizing others. In a series of events, a car crash takes a split second. A narrative account, however, might be almost entirely about the crash itself and the few seconds leading up to it. Narratives thus shape history (the series of events, the story of what happened).

Let's explore an example together:
As we watch this short portion of a film, write about what you see in your notebook. Pretend you are explaining what is going on to your little brother, sister or cousin. Describe the setting, the characters, the event and the outcome. Pretend the reader has never seen this before!!

1:02 - 1:15 



Share Out: Small Groups and Whole Group Share Out! 

For most films and plays we watch/stories we read, there is a common plot structure. It looks like this:






Tuesday, 09/29/15


TODAY, WE ARE VISITING THE LIBRARY! REMEMBER TO BE ON YOUR BEST BEHAVIOR!!!





Wednesday, September 30th, 2015


Do Now: In list form, write what has happened in your day so far. Be as detailed as you can. 

Share Out:

Today, we are going to continue our study of the fictional narrative. Later in the week, we will move from fictional narratives to personal narratives. Learning to tell our own stories is one of the most powerful skills we can develop as learners. We will use the plot structure to help us! 


Read Aloud and Annotation: Today, we will start to read a piece of episodic fiction. Please use the annotation instructions we already went over and include the following additional annotation: 


Close Reading Annotation Symbols
Symbol
What this symbol represents...
What to write as your annotation
+
I agree with what the text/author says here!
Explain why you agree with the text/author.
I disagree with what the text/author says here!
Explain why you disagree with the text/author.
underline
Important information, key ideas/concepts
Summarize or paraphrase the important information/ideas.
?
Information you are confused about or doesn’t make sense
Compose a question to express what confuses you.
=
Information that reminds you of something you’ve read/heard/seen before
Discuss the connection you are making between this information and previously read/heard/seen information
Put a circle around words you are unfamiliar with
Look up the word and write a brief definition in the margin.





Every annotation has two elements: A symbol AND a sentence.
  1. Symbol: Put a symbol from the chart above on the relevant part of the text.

  1. Sentence: Closely reading a piece of text does you no good if you later forget why you make the annotation. The symbols will help remind you, but they are not enough! You MUST write a sentence to go along with your symbol
    1. If a passage was confusing, write down a question.
    2. Making a connection? To what are you connecting this information?
    3. If you agree/disagree with an author write why.
    4. DO NOT write phrases like “Wow!” or “This is cool!”
    5. Be specific - Your future self will thank you!

Reminder: 
Circle trouble words! 
Exclamation point for anything shocking or surprising!
Question mark if anything seems confusing or troubling.

***In the margins, write down CHARACTER TRAITS of either Mrs. H.T. Miller or Miriam. Draw an arrow if there is room. I will demonstrate on the overhead for the first page. 


Let's fill out the plot structure for the story so far! 


Work Period: Using your "Do Now" we will complete the "Showing Rather than Telling Exercise." 


Closing: Shout-Outs and Call-Outs


Thursday/Friday, 10/01/2015 - 10/02/2015



Do Now: Take out your books and dive in! Enjoy the time to read quietly. Please have your independent reading logs out and your annotation homework assignment on your desk for a quiet check. 

Check-in: Writing Standards. What are we building towards?

Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.
CCSS.ELA-LITERACY.W.8.3.A
Engage and orient the reader by establishing a context and point of view and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.
CCSS.ELA-LITERACY.W.8.3.B
Use narrative techniques, such as dialogue, pacing, description, and reflection, to develop experiences, events, and/or characters.



Warmup Activity:  Just like we listed the events in our morning yesterday, list the events that have occurred in "Miriam" so far, leaving out any descriptive language, judgements or dialogue.


Annotation Practice: We will continue practicing our annotation strategies as we continue to read "Miriam." We will do two paragraphs together and then you will annotate as I read up to page 10. As we read, pay careful attention to descriptive words and phrases. Remember: Excellence is in the DETAILS!


Group Work Period (25 minutes): In your table groups, turn to the exercise in "Showing Rather than Telling" in your narrative packets. You will work together to turn the LIST of events into an ENTERTAINING and VIVID story. 


Each group member must assign: 
1. A writer (this person will record the story) 
2. A reader (this person will read the story when it is finished)
3. A facilitator (this person must guide the discussion and keep everyone on task) 
4. A time-keeper (this person must carefully watch the clock and inform the other members regarding time)

As a group, can you turn this narration into a story your classmates want to read? Stick to the events listed, but otherwise, you may be CREATIVE!!

Share Out: Students will share their stories with the class!

Closing: Shout-Outs and Call-Outs!


Saturday, September 19, 2015

09.21.2015 - 09.25.2015

Monday, September 21st, 2015 




Do Now: 
1. What does it mean to have an identity? What makes up a person's identity? 
2. What does it mean to be an individual? 
3. Explain what makes you an individual. 

Share out with elbow partners
Whole class share out. 


ELA Common Core Standards Covered

Teaching “Harrison Bergeron” covers the following ELA common core standards for reading and writing.
  1.  Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  2.  Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
Today, we will be reading a satire about a man named Harrison Bergeron who lives in the year 2081. 

sat·ire



  1. the use of humor, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices, particularly in the context of contemporary politics and other topical issues.

    Irony. The difference between what

    someone would reasonably expect to

    happen and what actually does happen.

    Review vocabulary from past week. 

    Quiz will be on BLOCK DAY of THIS WEEK! 

    Please study your notes and see me if you

    have questions. 

    Annotation Instructions: 

    We will read "Harrison Bergeron" aloud 

    together. As we read, please use the

    following annotation instructions: 


    1. Circle any trouble words you don't 

    understand. 

    2. Put a question mark if you find anything 

    confusing or if you have a follow up 

    question.

    3. Put an exclamation point if you find 

    anything shocking or surprising.

    Read Aloud with Annotations: 

    "Harrison Bergeron"  


    QUESTIONS: Answer the following questions. 

    1. What has guaranteed equality in the story?

    2. How old is Harrison?

    3. What has happened to Harrison and why?

    4. How has the government made George and Hazel equal? What does George have to wear? And what does this do?

    5. What does Hazel say she would do if she were Handicap General?

    6. What is the name of the Handicap General?

    7. What is the consequence for taking lessening the weight of the 
    handicap bag? 

    8. What reason does George give for not trying to cheat?
    Because of this reason, what can we infer about George’s opinion of the current laws? 

    9. Why wasn’t the news bulletin clear at first to the George and 
    Hazel and other viewers?

    10. Why did the ballerina apologize about her voice?

    11. What is the news bulletin?

    12. Describe Harrison Bergeron with all of his handicaps?

    13. What does Harrison declare on television? 

    14. What happens to Harrison? Be specific. 


    Homework: Answer questions 1-6 by tomorrow in FULL SENTENCES. 

    Exit: Call outs and Shout Outs



    Tuesday, September 22nd, 2015




    Do Now: Describe your ideal world. What does it look like? What are the rules? What are the most important parts of your ideal world? 


    Share Out: Elbow Partner and Whole Group



    Vocabulary Study: 

    Plot is a literary term used to describe the events that make up a story or the main part of a story. These events relate to each other in a pattern or a sequence. 



    CONFLICT: The struggle between opposing forces--e.g.,


    CHARACTERS, nations or ideas--that provides the central


    ACTION and interest in any literary PLOT


    1. Study: Complete reading "Harrison Bergeron" and review homework questions.

    View the film "2081" and answer the rest of the questions on the HB handout. 

    Homework: Answer the rest of the questions on your Harrison Bergeron handout. 


    Exit: Shout-outs and Call-outs




    Wednesday, September 23rd, 2015


    Do Now: 

  2. Are you comfortable sharing your thoughts with the class? Why or why not? 
  3. What would make you more or less comfortable during a group discussion? 

Share Out: Elbow Partners and Whole Group

The Socratic seminar is a formal 

discussion, based on a text, in which the 

leader asks open-ended questions. Within 

the context of the discussion, students listen

closely to the comments of others, thinking

critically for themselves, and articulate their 

own thoughts and their responses to the 

thoughts of others.



NORMS: 
  • Students don’t need to raise their hands to talk. They should focus on the main speaker and wait their turn.
  • Monitor airtime. Don't speak too much or too little.
  • They should respond to each other, using each other’s names.
  • They should express agreement or disagreement in a courteous, thoughtful manner.
  • Focus on ideas and values in the text.
  • Keep an open mind.
  • Invite everyone to share their ideas.
  • Use others’ names.
  • Remember that one person speaks at a time.
  • Use positive body language.

Work Period: We will work on our Socratic Seminar Prep by completing the notetaker and creating our own questions. This, and a copy of "Harrison Bergeron" are the only items allowed on your desk during the discussion. Take as many notes as you need and attach notes with a stapler. 


Exit: Shout Outs and Call Outs


Thursday/Friday September 24-25



I: Do Now: 15 minutes independent reading! Enjoy this time of quiet and peace before our lively Socratic Seminar begins!




II: "Harrison Bergeron" Quiz: Please clear your desks and take the quiz. Eyes on your own paper. 



III: Socratic Seminar: Remember the norms! I will post these to keep us on track!

NORMS: 
  • Students don’t need to raise their hands to talk. They should focus on the main speaker and wait their turn.
  • Monitor airtime. Don't speak too much or too little.
  • They should respond to each other, using each other’s names.
  • They should express agreement or disagreement in a courteous, thoughtful manner.
  • Focus on ideas and values in the text.
  • Keep an open mind.
  • Invite everyone to share their ideas.
  • Use others’ names.
  • Remember that one person speaks at a time.
  • Use positive body language.


De-Brief: 
In your notebook, answer the following questions about our first class Socratic Seminar: 

1. What do you think went well during today's Socratic Seminar?

2. What do you think did not go well?

3. How would you rate your participation during the socratic seminar (Give yourself a score from 1-10) and explain why you gave yourself the number you did. 

4. What improvements or changes would you suggest we make for next time? Be specific. 



Exit: Socratic de-brief and shout outs and call outs!

Tuesday, September 15, 2015

09.14.15 - 09.18.15

09.14.2015

Happy Monday!!! Today is a library day!!! Let's all show respect and proper behavior as we explore our interests in the school library!













Tuesday, 09/15/2015


I: Launch: Pick up the marshmallow or candy 

on your desk. DO NOT EAT IT 

YET! Open up your journal to a fresh page.


In your notebooks, we will SILENTLY write

 our observations about the candy. Using 

SENSORY DETAILS, describe the size, color,

 texture, sound (if there is one). 

NOW, put the candy in your mouth. Do not

 GOBBLE it. Instead, savor it and describe the

taste in your journal. 


Turn to your elbow partner and shared what

you wrote. 

As a class, let's write a poem about the candy 

using some of the sensory details we chose. 

See if we can use words that evoke a reaction

in the reader of our poem. We will call this

poem "Ode to ________." 



II. Poetry writing workshop: 

Remember poem needs to be:

4+ stanzas

use sensory language and very detailed 

language

use metaphor, similes, other figurative 

language

repeat the phrase "I'm from... "

at least start and end your poem with these 

two phrases. 


when you perform: 

Practice using gestures, a variety of facial

 expressions, a variety of tone/voice.



III. Editing workshop

How this works:
 
Turn into table group silently

Table group editing protocol during our 

poetry workshop:

1. Fill out page one independently and 

silently.

 What do you want help on from your table 

group today? 

Poetry Writing Group Agenda
1. Poet’s Introduction. Poet explains what s/he would like help with.
2. Read Draft. Poet reads draft aloud.  Peers read along and take notes in the space below.
3. Peer Discussion. Peers each share at least one strength of the poem and at least one suggestion for revision (adding, deleting & rearranging).  Poet takes notes on “revision plan” handout.
4. Poet’s Plan.  Poet explains his/her plan for revision based on what peers said.  
5. Thank You.  Poet thanks the peers for

 feedback.  Peers thank the writer for sharing.
 


Ex Strength: I loved the way you described your 

family, I felt like I could hear them cooking in the 

kitchen too.

Ex Suggestion for revision: I think you can add 

more sensory language like sight and sounds to 

your description of soccer.



3. REPEAT with a new person



IV. Early finishers, independently edit your 

poems using your groups feedback

Wednesday, 09/16/15














Do Now: 
1. What has been the biggest struggle when writing your "Where I'm From" poem? 
2. What has been your biggest victory?
3. How will you prepare for your poetry performance?  

Performance techniques

1) voice projection: speaking at a good 


volume so everyone can hear

2) articulation: speaking clearly so all


 words can be understood

3) timing and rhythm: emphasizing the


 rhythm of the lines, respecting punctuation, 

not reading too quickly

4) mood: varying tone of voice, volume etc


 to suit happy / sad bits of a poem

5) facial expression: using expressions to

 suit different parts of the poem

6) gesture/body movement: emphasizing or


 echoing the meaning of the poem with hand 

gestures and body movement


Writing Period (20 minutes) to work on "Where I'm From" poems.


OPTIONS:

1. Complete your editing protocol with your 

table group.

2. Silently work on your poem revisions

3. Silently work on your revision plan

4. Conference with Ms. Mueller

5. Move to the collaboration station to

 practice reading your poem aloud alone or 


with a partner. 






Questions to consider:

1) How many sensory details do you include?
 2) How is the imagery and diction in your poem? 
3) Is the poem four or more stanzas long? 
4) Are you excited about your poem?

Exit: Shout-Outs and Call-Outs





09/17/2015 - 09/18/2015

Have the final draft of your poem and your reading log on your desk. 

I. 15 minutes independent reading!






Happy Performance day!!

Come in silently, open your books, and get lost. 

Have your copy of your poem in the right corner of your desk. (if you put it in the print folder I have your copy) 




II. Audience notetakers

Take out a blank sheet of paper

On the left side put the name of the performer, on the right side put 1-2 shout outs for their performance. 

We are silently and attentively listening. 

We clap the people in and out to make them feel like home . :) 




III. Exit on classroom.